<% dim titre titre=5 %> "Academy music Sion master classes"

 
ORGAN                                                  

 

Margaret PHILLIPS                                                                          

Among Britain's most outstanding concert organists and teachers, Margaret Phillips made her début at the Royal Festival Hall and soon gained an international reputation as a soloist, playing at concert halls and cathedrals throughout Europe and in the U.S.A., Australia and Mexico. She has appeared frequently as a continuo player and accompanist with such ensembles as the BBC Singers and The Sixteen, and her CD recordings, which include the complete organ works of Mendelssohn, Saint-Saëns and Stanley, have been widely praised.

Recognizing her debt to her own teachers, who included Marie-Claire Alain and the late Ralph Downes, Margaret Phillips now devotes a substantial part of her time to teaching and other activities in the organ world. Alongside her busy career as a player, she is Professor of Organ at the Royal College of Music in London and Visiting Tutor at the Royal Northern College of Music in Manchester. For 20 years she was a member of Council of the Royal College of Organists and from 1997–99 she was President of the Incorporated Association of Organists. 

She has twice taught at the International Summer Academy in Haarlem (Netherlands), and has been a jury member for international organ competitions in Odense (Denmark), Toulouse (France) and St Albans (UK). Over the past few years she has given concerts on the famous organs in Riga, Alkmaar, Haarlem and Weingarten, as well as in many other churches in Germany, Italy, Sweden, Denmark, and the UK. In 1994, Margaret Phillips and her husband founded the English Organ School and Museum in former chapel premises in Milborne Port, Somerset, where they have a small collection of organs by English organ builders from the eighteenth century to the present day. EOS aims to provide facilities for learning and playing the organ, to promote the understanding and appreciation of the organ as a musical instrument, and to preserve a modest part of Britain's organ heritage.    

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